The Thing From Another World is usually dismissed as the “original” version of John Carpenter’s The Thing, and considered to be an inferior adaptation of the original short story. After all, 1950s special effects were simply not up to the task of making a shapeshifting monster, and the direction of most 1950s movies cannot measure up to one of the greatest horror/sci-fi movies of all time.
But despite the carrot monster, I do think this is a good movie seen on its own merits. Not because the story is particularly interesting or unique as 1950s sci-fi goes, but because of the way its characters are presented.
Specifically, the female characters.
The 1950s weren’t the best time for female characters in movies. Not saying they were all bad, because the existence of this movie clearly shows that they weren’t. But there were some extremely misogynistic attitudes in many movies that went unchallenged. These weren’t even hateful in many cases – some of them were just people who couldn’t break out of their mindsets, like in Forbidden Planet or It: The Terror From Beyond Space.
So it’s worth noting that The Thing From Another World has a pretty egalitarian approach to its characters, and treats the women with an impressive level of respect. The most basic level is just the fact that they’re there at this scientific/military outpost, holding important positions. And at no point do they fetch coffee for the menfolk, on the assumption that men will turn to sea foam if they make their own food.
But that isn’t enough to really earn my respect. It’s more that the women and men interact casually as equals – the men don’t treat the women with the casual condescension often found in old movies. In fact, they banter and pal around with the female lead in the same way they would with a male character, including when she teases her male romantic partner.
Speaking of which, the romantic subplot is also refreshing. Rather than a macho hero sweeping a woman off her feet, the two have a cute backstory that involved him falling asleep during a date, and being kind of embarrassed by it, especially since she thinks it’s so funny. It feels much more organic and realistic, and less like a personal fantasy.
Furthermore, the women don’t end up as damsels. Despite the DVD cover, there are no screaming women in peril here… or at least, no more peril than the men are in. There is a woman threatened by the monster at one point, where she is forced to hide behind a flaming mattress, but she isn’t screaming and she actually chose to take this perilous position rather than being transparently corralled into it by the screenwriter so the men can save her.
So while The Thing From Another World isn’t a standout as old sci-fi goes, it does have some qualities that bring it above the herd. It can’t measure up to The Thing, but it’s still worth seeing.